Showing posts with label biography. Show all posts
Showing posts with label biography. Show all posts

Tuesday, July 26, 2011

Basketball Belles: How Two Teams and One Scrappy Player Put Women's Hoops on the Map

Author:  Sue Macy

Illustrator: Matt Collins

Peach’s Picks Rating:
 



Year of publication: 2011

City of publication: New York

Publisher: Holiday House

ISBN: 978-0-8234-2163-3

Author websitehttp://suemacy.com/

Illustrator websitehttp://www.mattcollins.com/

Media used for illustrations: Corel Painter

Annotation: This informational picturebook tells the story of the first intercollegiate women’s basketball game. It is narrated in first person by Agnes Morley, a Stanford University player, who grew up in New Mexico.

Personal reaction to the book: The first women’s intercollegiate basketball game was played in 1896 in San Francisco. Today’s well-established rivals, Stanford University and University of California, faced off in the exciting match lasting 40 minutes and ending with Stanford winning 2-1. The story is told in present-tense, first person through Agnes Morley. She grew up on a ranch in New Mexico and attended Stanford University where she played basketball. The author cleverly weaves the history of women’s basketball and the differences between men’s and women’s basketball into the exciting narrative; for example the reader learns that “Women [players] are assigned to a section, and they have to stay there. In the men’s game, players are allowed to run all over the court” (page 6). The photorealistic illustrations draw the reader into the action and help explain historical aspects of women’s basketball. Pages 7-8 offer readers an interesting perspective as running legs clad in bloomers cross the court. The illustrator further draws the reader into the action on pages 11-12 when two players from each team fall to the floor tussling over possession of the ball. Finally, the game ends with the reader engulfed by Stanford’s cheering team (pages 25-26). Look closely at the basketball net found on page 20. Notice that it has a closed bottom. The ball must be released by a drawstring. Drawstring baskets are explained in the “Timeline of Women’s Basketball” at the end of the book. The illustrator included this information in the pictures to provide facts and emphasize authenticity. Another illustration that pulls the reader into the story is found on pages 1-2 where Miss Morley excitedly runs to the stadium while holding onto her hat. She has wide grin on her face and her eyes are filled with excitement. The color palette is strong and color saturates each illustration. From a bird’s eye view, the wrap-around cover show Miss Morley and a University of California player going up for the ball. Two players in the background guard one another as they watch the action. Back matter rich in information and fact include an “Author’s Note” offering information about women’s basketball, Agnes Morley, and the Stanford University team. An excellent “Timeline of Women’s Basketball” is also included as well as a list of resources, a list of places to visit, a photograph of the 1896 Stanford team, and “Acknowledgements”. This excellent book offers succinct, accessible information about the history of women’s basketball that is suitable for all ages.


General curricular connections:
    • Women’s basketball
    • Sports
    • History of women’s basketball
    • Agnes Morely Cleveland
    • Biography
      Recommended grade levels:
      School Library Journal recommends this book for use with grades 2-5
      Booklist recommends this book for use with grades 3-5
      Peach’s Picks recommends this book for use with grades 2 and up

      Awards/Recognitions:
      Booklist starred review
      Junior Library Guild Selection

      Note: This entry applies to the assignment criteria to review books published during 2010-2011. The title was selected from the list of the Association for Service to Children/ALA Notable Children’s Books – Nominated Titles for Discussion, 2011 Annual Conference - New Orleans, Informational picture books.

      Symbolism: Pages 3-4; The illustrator places San Francisco icons and landmarks in the pictures – cable car, Alcatraz Island, Lombard Street

      Symbolism: Page 9; Players with “U C” on their blouses. The letters represent “University of California”

      Symbolism: Pages 19-20; Blue and gold banners drape the stadium symbolizing University of California’s school colors

      Symbolism: Pages 25-26; Red and white banners drape the stadium symbolizing Stanford University’s school colors

      Book cover picture retrieved from http://suemacy.com/books

      Wednesday, July 20, 2011

      The Unforgettable Season: The Story of Joe DiMaggio, Ted Williams and the Record-Setting Summer of ʼ41

      Author: Phil Bildner

      Illustrator: S. D. Schindler

      Peach’s Picks Rating:




      Year of publication: 2011

      City of publication: New York

      Publisher: G. P. Putnam’s Sons

      ISBN: 978-0-399-25501-4

      Author websitehttp://philbildner.com/

      Illustrator website: No website available

      Media used for illustrations: Ink, watercolor, and gouache

      Annotation: The 1941 historic baseball season is chronicled in this picturebook relating the on field successes of baseball players Joe DiMaggio and Ted William.

      Personal reaction to the book: This picturebook tells the story of one unforgettable season in baseball, a season that has not yet been equaled. It chronicles the summer of 1941 when Joe DiMaggio played for the New York Yankees and Ted Williams played for the Boston Red Sox. DiMaggio made history that season with a record-breaking hitting streak, when he hit in 56 consecutive games. Ted Williams created baseball history when he ended the season with a .406 batting record. The narrative tells of their successes, describes the men and times, and the nation’s interest in baseball. The author has written two stories that meet in the middle of the book when both men play on the same All-Star team. Then the men return to their respective teams and continue to rack up records and create baseball history. Though the book contains a lot of interesting information, there is no tension or conflict to drive the story. Especially when contrasted with a book like A Nation’s Hope: The Story of Boxing Legend Joe Louis by Matt de la Peña. However, the information in this book will be interesting to many readers and especially appealing to baseball fans young and old. Baseball lingo is found throughout the book lending authenticity to the narrative; for example:  the numbers “60. 2,130. 714” (page 1), “stroked a base hit” (page 3), and “twin bill”, “nightcap”, “hitting show” (page 10). The end note explains the significance of “60. 2,130. 714” (page 1) which was especially helpful as I did not understand the reference. A bibliography is included. The illustrations complement the story, but I cannot help thinking how much more powerful the book would be if it were illustrated with the stunning paintings of Kadir Nelson. 


      General curricular connections:
      • Baseball
      • Joe DiMaggio
      • Ted Williams
      • Use this book in conjunction with the novel Keeping Score by Linda Sue Park
      Recommended grade levels:
      School Library Journal recommends this book for use with grades 3-6
      Booklist recommends this book for use with grades 2-4
      Peach’s Picks recommends this book for use with grades 4-6

      Awards/Recognitions:
      Kirkus Review starred review
      Publishers Weekly starred review
      School Library Journal starred review

      Note: This book applies to the assignment criteria - books published in 2010-2011

      Alliteration: Page 1; “When they root for the Reds, Royals, Rockies or Rays…”

      Metaphor: Page 2; “Joe DiMaggio played the game with grace of a clipper ship, so they called him the Yankee Clipper.”

      Metaphor: Page 10; “I’ll let my timber do the talking.” Ted Williams makes this declaration showing that his batting expertise will make a statement rather than talking about what might happen in an upcoming game.

      Personification: Page 3; “…screamed the headline in The New York Journal-American.

      Symbolism: Found throughout the book; the names “TED” and “JOE” are printed in bold uppercase letters. “TED” is printed in red symbolizing the team color for the Red Sox. “JOE” is printed in blue symbolizing the team color for the Yankees. Together, red and blue emphasize that baseball is an all-American sport, just like the red, white, and blue of the United States flag.

      Repetition: Pages 6 and 18; The use of rectangular illustrations with game numbers in the top right corner symbolizing that time is passing and DiMaggio continues to make consecutive hits.

      Simile: Page 6; “…because he smacked the ball so hard, it was like an electric jolt…”

      Book cover picture retrieved from http://philbildner.com/

      Tuesday, July 19, 2011

      A Nation's Hope: The Story of Boxing Legend Joe Louis

      Author: Matt de la Peña

      Illustrator: Kadir Nelson

      Peach’s Picks Rating:
       



      Year of publication: 2011

      City of publication: New York

      Publisher: Dial Books for Young Readers

      ISBN: 978-0-8037-3167-7


      Illustrator websitehttp://www.kadirnelson.com/

      Media used for illustrations: Painted with oils on wood

      Annotation: Picturebook biography of American boxer, Joe Louis, highlighting his two matches with the German boxer, Max Schmeling.

      Personal reaction to the book: This brief biography is another stunningly, beautifully illustrated picturebook by Kadir Neslon. De la Peña and Nelson have created a moving account of Joe Louis’ life centering on the significance of his two matches with the German boxer, Max Schmeling. The story begins at Yankee Stadium with the fight between Joe Louis and Max Schmeling on June 22, 1938. The stage is set, the drama has begun. Before the reader learns the outcome of the fight, the story goes back in time to Louis’ childhood.  From there the story proceeds through Louis’ successful career, looping its way back to the  first fight with Schmeling. This is the time of Jim Crow laws when segregation was mandated. It is also the beginning of Nazi Germany. To Americans, of every color, Schmeling represents the fear of war and Nazis. Louis loses to Schmeling but he “vowed to battle back. He worked even harder as the world threatened war around him” (page 26). Louis and Schmeling meet again. This time Louis is victorious. Both black and white Americans feel united in the victory against Schmeling who represents the evils of Nazi Germany. The text is written as a free verse narrative. While it is dramatic, it does not flow smoothly throughout the book when read aloud; sometimes the rhythm stumbles and catches the reader off balance. Even with that criticism, the text is so powerful that it holds the audience’s attention. I suggest that back matter be included referencing Jim Crow laws, biographical information about Max Schmeling, and placing the event in its historical context. The title page is a stunning illustration of red boxing ring ropes that look as though they are dripping with blood. The illustrations are created with oil paints on wood in a photo-realistic style. Louis looks out at the reader and commands the pages. Pages 3-4 are cleverly designed to look like a poster advertising the first Louis vs. Schmeling fight. Page 33 shows an interesting perspective from the top view of Louis’ victory over Schmeling. Another clever design element is found on the back jacket flap that is designed to look like a ticket to a boxing match featuring Matt De La Peña and Kadir Nelson.

      General curricular connections:
      • History / Nazi and American relationship
      • Civil Rights – Jim Crow laws
      • Joe Louis
      • Biographies
      • African-American history
      Recommended grade levels:
      School Library Journal recommends this book for use with grades 3-5
      Booklist recommends this book for use with grades 1-3
      Peach’s Picks recommends this book for use with grades 3-7

      Awards/Recognitions:
      Booklist starred review
      Publishers Weekly starred review
      School Library Journal starred review

      Note: This book applies to the assignment criteria - books published in 2010-2011

      Repetition: Boxing ring ropes found on the title page and pages 4, 5-6, 9-10, 15-16, 19, 20, 23, 26-27, 30-31, 34

      Metaphor: Page 5; “The weight of history hangs on Joe’s shoulders as he ducks through ropes…”

      Metaphor: Page 15: “The space between ropes became home…”

      Symbolism: Page 26; African-American and white men reading the news paper together, symbolizing that all Americans were united in their worries concerning Germany, Nazis, and a potential World War

      Saturday, July 16, 2011

      Houdini the Handcuff King

      Author: Jason Lutes and Nick Bertozzi, with an introduction by Glen David Gold

      Illustrator: Jason Lutes and Nick Bertozzi

      Peach’s Picks Rating:
       



      Year of publication: 2007

      City of publication: New York

      Publisher: Hyperion Books for Children

      ISBN: 978-0-7868-3902-5

      Author website:

      Illustrator website: See information in the “Author website” entry

      Media used for illustrations: Pencil drawing thumbnail sketches by Lutes; Bertozzi collaborated with Lutes using ink to refine and finish the panels

      Annotation: Graphic novel that depicts a stunt performed by Harry Houdini in Cambridge, Massachusetts. Houdini experiences anti-Semitism and other obstacles, but manages to succeed. Flashbacks and back matter offer biographical information.

      Personal reaction to the book: This graphic novel is a biography of Harry Houdini that focuses on one day in his life, May 1, 1908, when he jumped handcuffed from the Harvard Bridge in Cambridge, Massachusetts into the Charles River. Even though the authors chose to focus on that one day, they manage to offer readers a larger picture of Houdini’s life through flashbacks contained in the story and an introduction written by Glen David Gold. The introduction provides biographical information and frames Houdini’s life within the culture of 1908. Through flashbacks, the reader comes to know Houdini as a driven man who loves his wife and surmounts anti-Semitism. The author/illustrators created clean panels laid out across the pages in an even style. Three colors are used in the panels: black, white, and blue. The illustrations which utilize different orientations and perspectives add to the sense of drama and suspense. Several wordless panels move the action along. Blue endpapers complement the blue in the panels. Back matter explains the significance of select panels. A brief bibliography is included. One criticism – it is difficult to read the second and third pages of the introduction because the text is printed over light blue graphics.


      General curricular connections:
      • Biographies
      • Harry Houdini
      • Graphic novels
      • Magic
      • Reading for pleasure

      Recommended grade levels:
      School Library Journal recommends this book for use with grades 4-10
      Booklist recommends this book for use with grades 6-9
      Peach’s Picks recommends this book for use with grades 4-9

      Awards/Recognitions:
      Booklist starred review
      Book Links starred review
      Kirkus Review starred review

      Note: This book applies to the assignment criteria – nonfiction graphic novel.

      Allusion: Page 25; “There is one bond from which I would never attempt to escape!” Houdini shown holding up his hand displaying his ring finger alluding to the bonds of marriage.

      Allusion: Page 53; “No Yale blue at Cambridge! Wear Harvard crimson. Harvard crimson or nothing.” This panel alludes to the rivalry between Harvard and Yale through the argument of school colors.

      Symbolism: Page 31; Two heart shapes are floating above Houdini’s head symbolizing his love for his wife

      Symbolism: Page 34; The question mark above Mr. Collins’ head and sweat flying from his head symbolize his nervousness and uncertainty

      Onomatopoeia: Page 4; “Click”

      Onomatopoeia: Page 5: “Tick, Tick”

      Onomatopoeia: Page 17, “BOOF”

      Onomatopoeia: Page 44; “DING”

      Book cover picture retrieved from http://www.aclib.us/kids/good-reading/drawn-read

      Thursday, July 14, 2011

      Moses: When Harriet Tubman Led Her People to Freedom

      Author: Carole Boston Weatherford

      Illustrator: Kadir Nelson

      Peach’s Picks Rating:
       



      Year of publication: 2006

      City of publication: New York

      Publisher: Jump At the Sun: Hyperion Books for Children

      ISBN: 0-7868-5175-9


      Illustrator websitehttp://www.kadirnelson.com/

      Media used for illustrations: Oil and water color paintings

      Annotation: A fictional story based on events of Harriet Tubman’s escape from slavery and her subsequent journeys back to the South to free hundreds of slaves, including her family, during the mid 1800s.

      Personal reaction to the book: This picturebook is a fictional version of Harriet Tubman’s life. She was a slave who escaped to Philadelphia in search of freedom. The story begins the night she decides to run away. The reader is introduced to Tubman as she sits outdoors on a dark night, praying and talking to God. Tubman’s escape is successful. She finds herself in Philadelphia, but soon realizes that personal freedom is not fulfilling when others are still enslaved. So Tubman becomes a conductor on the Underground Railroad and time and time again returns to the south to guide others to freedom. The book is written in free verse as a dialogue between Tubman and God, with God speaking directly to Harriet in the form of a poem. This poem, independent of the story, stands on its own merit as a work of literature reminiscent of scripture. The powerful and expressive illustrations are painted in earth tones and cover two-page spreads. The text is printed on the illustrations, but does not distract from them. The color palette is especially dark when Tubman is in danger and filled with light when she feels hopeful or is safe. Tubman’s face is particularly striking in each illustration. The reader can see her fear, her determination, and her hope. A forward is included that discusses slavery in the United States. An author’s note gives biographical information about Harriet Tubman. This book reads aloud well and can easily be shared with a large group.

      General curricular connections:
      • Harriet Tubman
      • Slavery
      • Underground Railroad
      • Biography / Women
      • African American women
      • Underground Railroad

      Specific example of curricular connection matched to State Standards:
      Subject: History
      Grade level: 8
      Standards:
      California State Standards
      History – Social Studies Content Standards for Public Schools: Kindergarten through Grade 12
      Grade 8 United States History: Growth and Conflict
      8.9 Students analyze the early and steady attempts to abolish slavery and to realize the ideals of the Declaration of Independence.
      1. Describe the leaders of the movement (e.g., John Quincy Adams and his proposed constitutional amendment, John Brown and the armed resistance, Harriet Tubman and the Underground Railroad, Benjamin Franklin, Theodore Weld, William Lloyd Garrison, Frederick Douglass).

      Recommended grade levels:
      School Library Journal recommends this book for use with grades 2-5
      Booklist recommends this book for use with grades 1-3
      Peach’s Picks recommends this book for use with grades 2-9

      Awards/Recognitions:
      Horn Book starred review
      Publishers Weekly starred review
      School Library Journal starred review
      ALA Notable Children's Books, Middle Readers, 2007
      Caldecott Honor, 2007
      Coretta Scott King Illustrator Honor Award Winner, 2007

      Note: This book is included in Assignment 2.
      This book was included in the LIBR 271A category “Other books receiving Top Ten votes, Summer 2009.”

      Simile: Page 1; “I am Your child, Lord; yet Master owns me, drives me like a mule.”

      Simile: Page 22; “She recalls dreams where she flew like a bird…”

      Simile: Page; 26; “…Harriet rises from that hole like a sapling…”

      Metaphor: Page 1; “God speaks in a whip-poor-will’s song.”

      Metaphor: Page 1; “God wraps her in the blanket of night…”

      Metaphor: Page 14; “In a dust cloud, she sees the broom become a staff, then a rifle.”

      Allusion: Page 35; “Canaanland” is a Biblical allusion to the Promised Land

      Allusion: Title of the book Moses, alluding to the Biblical character, Moses, who led his people to freedom.

      Book cover picture retrieved from http://www.caroleweatherford.com/books.htm

      Wednesday, July 13, 2011

      When Marian Sang: The True Recital of Marian Anderson, The Voice of a Century

      Author: Pam Muñoz Ryan

      Illustrator: Brian Selznick

      Peach’s Picks Rating:
       



      Year of publication: 2002

      City of publication: New York

      Publisher: Scholastic Press

      ISBN: 0-439-26967-9

       
      Illustrator website: No personal website located, but information about the illustrator can be found at http://www.theinventionofhugocabret.com/about_brian_bio.htm and http://www2.scholastic.com/browse/contributor.jsp?id=3180

      Media used for illustrations: Liquitex acrylics

      Annotation: Marian Anderson, a renowned singer, struggled to gain acceptance in America because she was black. With support from Eleanor Roosevelt, she performed at the Lincoln Memorial in a 1939 historic event.

      Personal reaction to the bookAt the time the story begins, Marian Anderson is a young African-American girl grew up in South Philadelphia. She sings in the church choir all the while dreaming of singing professionally, especially at the Metropolitan Opera. Because of the color barrier in the United States during this time period, she finds it difficult to gain acceptance at established music schools. Finally, through perseverance she becomes the student of Giuseppe Boghetti, a respected singing coach. Through his tutelage she hones her skills and sets off to perform in Europe, where there are not the same color prejudices. There she is accepted as the accomplished performer she has become. Returning to the United States in 1939, she is denied the right to sing at Constitution Hall due to a “white performers” only policy. In protest, Ms. Anderson performs on the steps of the Lincoln Memorial to a mixed-race crowd of thousands. Eleanor Roosevelt becomes instrumental in making this historic event possible. Slowly, color barriers break down and at the age of 57, Ms. Anderson realizes her dream of singing at the Metropolitan Opera. Her life and career encouraged social changes. This is not a straight forward, all-inclusive biography; rather the reader receives an impression of Ms. Anderson’s life from childhood to her performance at the Metropolitan Opera House. Endnotes, a timeline of her life, and a discography offer further information. The text flows smoothly. It is simply written, but not simplistic. The text includes verses from songs made famous by Ms. Anderson. Illustrations and text blend to advance the story. For example; the reader sees Marian standing on the steps of the music school from which she was denied, wistfully looking up at a white girl singing in a second floor window (pages 7-8). The illustrations are large, sepia-toned drawings that cover two page openings. Narration is placed in a white block running across either the bottom or down the sides of pages. The illustrations are carefully researched and reflect the time period though wallpaper, light fixtures, clothing styles, and other details. At the close, of the book when Ms. Anderson sings at the Metropolitan Opera, she is highlighted in a beam of light; her clothing is drawn using colors, the only color in the book. This artistic device accents the importance of the event. In the illustrator’s notes, Selznick mentions that his uncle was a fan of Ms. Anderson. He places his uncle on page 27, standing in the crowd listening to her sing at the Lincoln Memorial. (Hint, the uncle is the man facing the reader; standing with his eyes closed, wearing glasses.) This is an excellent introduction to Marian Anderson, the first African-American to perform at the Metropolitan Opera. The book reads well aloud and the pictures can be seen and enjoyed by large groups as well as individually.

      General curricular connections:
      • Civil Rights
      • Marian Anderson / biography
      • Biographies
      • African American biographies
      • Women biographies

      Specific example of curricular connection matched to State Standards:
      Subject: History
      Grade level: 11
      Standards:
      California State Standards
      History – Social Studies Content Standards for Public Schools: Kindergarten through Grade 12
      Grade 11 United States History and Geography: Continuity and Change in the Twentieth Century
      2. Examine and analyze the key events, policies, and court cases in the evolution of civil rights, including Dred Scott v. Sandford, Plessy v. Ferguson, Brown v. Board of Education, Regents of the University of California v. Bakke, and California Proposition 209.
      (Specifically, Plessy v. Feguson)

      Recommended grade levels:
      School Library Journal recommends the book for use with grades K-5
      Peach’s Picks recommends the book for use with grades 1 and up

      Awards/Recognitions:
      Parents Choice Award Winner (Gold Award, picture book, ages 6-10)
      School Library Journal Best Book of the Year, 2002
       ALA Sibert Honor Award, 2003
      ALA Notable Book, 2003
      Orbis Pictus Winner for Outstanding Nonfiction for Children, 2003
      NCTE Notable Children's Book in the Language Arts, 2003
      Booklist starred review
      Kirkus Review starred review
      Publishers Weekly starred review
      School Library Journal starred review

      Note: This book is included in Assignment 2.

      Use of sophisticated language: Page 25; “Standing in the shadow of the statue of Lincoln, waiting to be called out, she read the engraved words: …THIS NATION UNDER GOD SHALL HAVE A NEW BIRTH OF FREEDOM…”

      Simile: Introduction; “With one breath she sounded like rain, sprinkling high notes in the morning sun.”

      Metaphor: Introduction; “And with the next she was thunder, resounding deep in a dark sky.”

      Repetition: Five pages throughout the book show Ms. Anderson singing with her eyes closed.

      Symbolism: Pages 17-18; The illustration is a side view of Ms. Anderson aboard the Ile de France on her way to Europe. She is facing at the bow of the ship looking toward the future 

      Book cover picture retrieved from http://www2.scholastic.com/browse/book.jsp?id=3040

      Tuesday, July 12, 2011

      Martin's Big Words

      Author: Doreen Rappaport

      Illustrator: Bryan Collier

      Peach’s Picks Rating:
       


      Year of publication: 2001

      City of publication: New York

      Publisher: Jump At the Sun / Hyperion Books for Children

      ISBN: 0-7868-0714-8


      Illustrator website: http://www.bryancollier.com/

      Media used for illustrations: Collage and watercolors

      Annotation: This picturebook biography celebrates the life of Dr. Martin Luther King, Jr. It begins with his childhood, includes early events in the Civil Rights Movement, and ends with his assassination.

      Personal reaction to the book: The story begins with Martin Luther King, Jr. and his mother on a downtown sidewalk. Young Martin points questioningly at a on a drinking fountain that says “WHITE ONLY”.  His mother tells him, “You are as good as anyone.” So begins the beautifully written and illustrated tribute to Martin Luther King, Jr.’s life. It includes early events in the Civil Rights Movement and King’s involvement in those events, the march on Washington, and eventually ends with King’s assassination in Memphis, Tennessee where he was supporting striking garbage workers. As a child King, listened to his minister father deliver sermons containing what Martin considered “big words”, well-chosen words that delivered powerful messages. He grew up to deliver his own “big words” that helped change the course of history. Rappaport’s tight narrative weaves itself around King’s quotations. She captures the essentials of his nonviolent message. The illustrator creates a textural combination of cut-paper collages and watercolor illustrations that extend the text, adding powerful images to powerful words. An author’s note and illustrator’s note at the beginning of the book offer insights into the making of the book. A timeline of “Important Dates” and a list of related books and websites are included at the end. The endpapers are beautiful, stained glass windows echoing the illustrations of stained glass windows found throughout the text and emphasize the importance of King’s spiritual beliefs. This is a beautiful introduction to Martin Luther King, Jr. and his words.

      General curricular connections:
      • Social Studies / Civil Rights Movement
      • History / Civil Rights Movement
      • Biography / Martin Luther King, Jr.
      • Black History Month
      Specific example of curricular connection matched to State Standards:
      Subject: History
      Grade level: 11
      Standards:
      California State Standards
      History – Social Studies Content Standards for Public Schools: Kindergarten through Grade 12
      Grade 11 United States History and Geography: Continuity and Change in the Twentieth Century
      11.10 Students analyze the development of federal civil rights and voting rights.
      4. Examine the roles of civil rights advocates (e.g., A. Philip Randolph, Martin Luther King, Jr., Malcom X, Thurgood Marshall, James Farmer, Rosa Parks), including the significance of Martin Luther King, Jr.’s “Letter from Birmingham Jail” and “I Have a Dream” speech.


      Recommended grade levels:
      School Library Journal recommends this book for use with grades 3-5
      Booklist recommends this book for use with ages 4-9
      Peach’s Picks recommends this book for use with grades 2 and up

      Awards/Recognitions:
      Jane Addams Children’s Book Award, 2002
      National Council of Teachers of English, Orbis Pictus Honor Book, 2002
      Caldecott Honor Book, 2002
      Coretta Scott King Illustrator Honor Book, 2002
      ALA Notable Children’s Book, All Ages, 2002
      Booklist starred review
      Horn Book starred review
      School Library Journal starred review

      Note: This book is included in Assignment 2.

      Metaphor: In the illustrator’s notes Collier says “For me the, the windows are metaphors in a lot of ways, I the dark, they blaze out at you like beams of light. The multicolors symbolize multi races. Stained-glass windows are also a vehicle to tell the story of Jesus. And, whether you’re on the inside or the outside, windows allow you to look past where you are. I use metaphors throughout my work. The four candles in the last picture, for example, represent the four girls who were killed in the Sixteenth Street Baptist church. Their light shines on.”

      Repetition: Illustrations of stained glass windows found throughout the book

      Use of sophisticated language: Quotations by Martin Luther King, Jr.; for example, page 14, “When the history books are written, someone will say there lived black people who had the courage to stand up for their rights.”

      Book cover picture retrieved fromhttp://www.doreenrappaport.com/gallery.html

      Sunday, July 10, 2011

      Fabulous! A Portrait of Andy Warhol

      Author: Bonnie Christensen

      Illustrator: Bonnie Christensen

      Peach’s Picks Rating:
       



      Year of publication: 2011

      City of publication: New York

      Publisher: Christy Ottaviano Books, Henry Holt and Company

      ISBN: 978-0-8050-8753-6


      Illustrator website: See entry for “Author website”

      Media used for illustrations: Collage photo transfers on canvas, which were then painted in oil

      Annotation: Andy Warhol’s “fabulous” life from his childhood in Pittsburgh through the peak of his fame in 1966 is told in a child-friendly manner introducing the man behind his iconic pop art.

      Personal reaction to the book: Andy Warhol was born to poor Czech immigrant parents in Pittsburgh. He was a sickly child who was ridiculed by neighborhood children. The book opens in New York City, 1966. Mr. Warhol is sitting and talking with two friends. Turn the page and the reader encounters a sickly boy in 1930s Pittsburgh bent over a drawing pad. From an early age Warhol’s art talent was evident. As a teenager, he had the opportunity to attend free art classes at the Carnegie Museum in Pittsburgh. Later he attended the Carnegie Institute of Technology. After graduating, he went to New York City where he found work as an illustrator. His creative artwork slowly began to flourish and with that came his “fabulous” life and fame. The author draws on her personal connections with Warhol’s entourage to create this child-appropriate account of his life. This is not a straight biography; rather the reader receives an impression of his life mixed with facts of his childhood and adult life through 1966. The grittier parts of his life are not included. Christensen does a good job of showing Warhol’s life in a sympathetic manner both through text and illustrations which will encourage young readers to be interested in his life and work. The illustrations complement the text conveying emotion through the striking, highly-textured collages. Endpapers and the book jacket pay homage to Warhol’s art showing his iconic Campbell’s soup cans, Coca-Cola bottles, and Marilyn Monroe’s protrait. The illustrator aptly portrays Warhol’s success in the two-page spread (pages 25-26) where long lines of people wait to enter the museum in Philadelphia to see his show.  The endnotes include more biographical information, a bibliography, and a time line. This is an excellent introduction to Andy Warhol’s to use with younger children as well as introducing older students to his life.


      Further discussion of artwork:
      In her book Children & Books, Zena Sutherland states, “Art is communication, whether it is in a museum or in a book, and to judge the success of artwork in children’s books we must evaluate it in terms of whether it speaks to the child. It must also be judged by how well it fits the story (or the information text) . . .” (page 115). Using this measure of judgment, the art work created for Fabulous! A Portrait of Andy Warhol by Bonnie Christensen is perfect. Not only do the illustrations portray emotions; for example, the loneliness of a young Warhol who sits alone and draws or lies in bed staring blankly into the room. They also pay homage to Warhol’s art. The illustrator incorporates Warhol’s work into the book. The reader sees inspirations for his artwork and replicas of his art. The endpapers pay tribute to Warhol’s creation titled Campbell’s Soup Cans. Andy Warhol is shown in college working in a studio where his painting Why Pick on Me is displayed on an easel. In a chapter titled “A Home” the reader sees Andy and his mother in the kitchen. Found throughout the kitchen are Campbell’s soup cans, a Kellogg’s Corn Flakes box, Del Monte cans, and bottles of Coca-Cola. These items are found in many of his artworks. Later in a chapter titled “The Factory” Warhol kneels on the floor working on his famous image of Marilyn Monroe while his creation titled Flowers hangs in the background. Incorporating Warhol’s artwork in the illustrations provides a solid introduction to his work. While reading the book, the reader is challenged to find Warhol’s work and identify it.

      Reference
      Sutherland, Z. (1997). Children and books, 9th Ed. New York: Longman.

      General curricular connections:
      • Art / study of genres
      • Art/ study of artists
      • Biography / Andy Warhol

      Specific example of curricular connection matched to State Standards:
      Subject: Art
      Grade level: 6
      California State Standard:
      Visual Arts: Grade Six
      2.0 Creative Expression
      Creating, Performing, and Participating in the Visual Arts
      Students apply artistic processes and skills, using a variety of media to communicate meaning and intent in original works of art.
      Communication and Expression through Original Works of Art
      2.5 Select specific media and processes to express moods, feelings, themes, or ideas.
        Recommended grade levels:
        School Library Journal recommends this book for use with grades 3-6
        Booklist recommends this book for use with grades 3-6
        Peach’s Picks recommends this book for use with 3-6

        Awards/Recognitions:
        Booklist starred review
        School Library Journal starred review

        Note: This book applies to the assignment criteria - books published in 2010-2011

        Repetition: Warhol’s childhood derogatory nicknames are repeated throughout the book emphasizing that he was an outcast while growing up

        Book cover picture retrieved from http://www.bonniechristensen.com/books/index.html

        Jimi Sounds Like A Rainbow: A Story of the Young Jimi Hendrix

        Author: Gary Golio

        Illustrator: Javaka Steptoe

        Peach’s Picks Rating:
         



        Year of publication: 2010

        City of publication: Boston

        Publisher: Clarion Books

        ISBN: 978-0-618-85279-6

        Author websitehttp://www.garygolio.com/

        Illustrator websitehttp://www.javaka.com/

        Media used for illustrations: Mixed media including reclaimed plywood, pastel cutouts, and photo-collage, extensive description found in illustrator’s endnote

        Annotation: Picturebook of Jimi Hendrix, born James Marshall Hendrix, who grew up in Seattle, Washington listening to a rainbow of sounds that inspired him to become a great rock musician. 

        Personal reaction to the book: This picturebook is a first-rate treatment of Jimi Hendrix’s early life leading to his success as a musician. It is especially useful to educators who are looking for information which handles Hendrix’s life in a manner that younger students can access. Jimi Hendrix was born James (Jimmy) Marshall Hendrix. He grew up in poverty in Seattle, Washington. Hendrix’s manager changed his first name from “Jimmy” to “Jimi” in 1966.  The reader experiences the joy young Jimmy feels interacting with his friends, hearing the sounds of the city, listening to a variety of music, and receiving his first guitar. This is not a straight biography; rather the reader receives an impression of Jimmy’s childhood mixed with facts. The grittier parts of his life are sensitively explained, but not dwelled upon in the author’s endnotes. The three-dimensional looking mixed media artwork has a tendency to feel heavy and cluttered, but nonetheless, it still manages to complement the text and add emotion to Jimmy’s story. The colorful illustrations are two-page spreads entirely covering the pages. Jimmy is depicted as happy child wearing a striped shirt and jeans. The texture of the artwork invites the reader to run their hands over the pages. The text and illustrations flow well together, each extending the concepts found in the other. Endnotes include bibliographical references, discography, and filmography. The endnotes also offer substance abuse prevention and mental health services websites. The illustrator’s endnotes discuss his creative process. The book is paginated for easy reference. This book will be better enjoyed alone or by a small group. It is difficult to read aloud to a group because the text is hard to see. The illustrations need to be viewed closely because when viewed from a distance they seem cluttered.


        General curricular connections:
        • Biographies
        • African-American biographies
        • Rock musicians
        • Jimi Hendrix
        • Art / discussing use of mixed media
        Recommended grade levels:
        School Library Journal recommends this book for use with grades 4-8
        Booklist recommends this book for use with grades 3-5
        Peach’s Picks recommends this book for use with grades 4-8

        Awards/Recognitions:
        Kirkus Review starred review
        Library Media Connection starred review
        School Library Journal starred review
        Coretta Scott King Book Award, Illustrator Honor Book, 2011
        2011 Notable Children’s Books in the English Language Arts

        Note: This book applies to the assignment criteria - books published in 2010-2011

        Simile: The title, “Jimi Sounds Like a Rainbow”

        Simile: Page 7; “A truck engine backfired, pounding like a bass drum…”

        Personification: Page 7; “…as a neighbor’s rake played snare against the sidewalk.”

        Repetition: Vinyl records float throughout the book

        Repetition: Jimmy is shown playing an instrument on nearly every page: ukulele, guitar, air saxophone

        Rhythm: A rhythmic poem is part of the text, printed in a flowing manner. It can be separated from the text and read rhythmically:
        “Until he could play the sound of raindrops, singing as they fell. (Page 5)
        The sounds of life were calling out, and Jimmy Hendrix wanted to answer them. (Page 7)
        With every sound, a color glowed in Jimmy’s mind. (Page 11)
        Blue was the whoosh of cool water, splashing over rocks. (Page 11)
        Orange and red, the crackling of a campfire. (Page 11)
        Green, the rustle of a thousand leaves. (Page 11)
        He wondered: Could a person use music like chalks and colored pencils? (Page 13)
        Could someone paint pictures with sound? (Page 13)
        He strummed on the bristles, sliding his fingers back and forth along the wooden handle. (Page 15)
        The blues they is a lonely sound, Like the whistle of a train. Full of tender feelings, And pourin’ down like rain…(Page 16)
        He practiced and practiced, training his ears and hands. And each day he got a little better. (Page 18)
        With the flick of a switch, Jimmy’s life was electrified! (P. 21)
        Suddenly, the room filled with a rocket’s roar. Crashing waves. The buzz of swarming bees. Jimmy was finally painting with sound! (Page 23)
        His playing became bold as lightning. Wild as the waves. Free as the wind through the tress. (Page 25)”

        Book cover picture retrieved from http://www.javaka.com/

        Saturday, July 9, 2011

        Eliza's Cherry Trees: Japan's Gift to America


        Author: Andrea Zimmerman

        Illustrator: Ju Hong Chen

        Peach’s Picks Rating:
         



        Year of publication: 2011

        City of publication: Gretna, Louisiana

        Publisher: Pelican Publishing Company

        ISBN: 978-1-58980-954-3

         
         
        Media used for illustrations: Watercolors

        Annotation: Travel writer, Eliza Scidmore, journeyed around the world. Her travels took her to Japan where she admired blossoming cherry trees. Scidmore’s passion for cherry trees leads to their planting in Washington, D.C.

        Personal reaction to the book: This informative picture book tells two stories. One story concerns the life of Eliza Scidmore while the other explains how cherry trees came to surround the Washington, D.C. tidal basin. Eliza Scidmore was a world traveler, a travel writer, and a photographer. She was one of the first women to work for and contribute to the National Geographic Society. She also took pictures for the Smithsonian Institution. While visiting her brother in Japan, she fell in love with Japan and its culture. The blooms of spring-time cherry trees made a deep impression. While spending time in her hometown of Washington, D.C. she envisioned the tidal basin surrounded by blooming cherry trees. For 20 years, Scidmore worked to have her vision come to life, without success. Finally, President Taft’s wife shared her vision and Scidmore’s dream came true. Unfortunately, there was another obstacle to surmount. The first shipment of cherry trees from Japan was destroyed and had to be replaced. Visitors to our nation’s capital still enjoy what has become a symbol of Washington, D.C. thanks to Eliza Scidmore. The Impressionist-like watercolor paintings are beautiful and give the reader a sense of time and place. The paintings are accompanied by sepia-toned drawings in the borders of pages. The book reads aloud well. The illustrations are large enough to be viewed by a group of students. A timeline of Scidmore’s life is included at the end of the book. Included in the timeline is the phonetic pronounciation of Scidmore’s name, “Sid-more”. I appreciate this because I strive to pronounce names correctly. I enjoy books such as this that conceptualize places, ideas, or events. Other picturebooks offering insights into established holidays, food, or everyday tools include:
        • Thank You, Sarah: The Woman Who Saved Thanksgiving by Laurie Halse Anderson - story of Sarah Hale who worked to make Thanksgiving a national holiday.
        • Marvelous Mattie: How Margaret E. Knight Became an Inventor by Emily Arnold McCully – story of Margaret Knight, an inventor.
        • George Crum and the Saratoga Chip by Gaylia Taylor – story of the potato chip
        General curricular connections:
        • Women’s History Month
        • Washington D.C.
        • Back stories of events/place/articles that are taken for granted
        • Use in conjunction with class trips to Washington, D.C.
        Recommended grade levels:
        School Library Journal recommends this book for use with grades 4-6
        Booklist recommendation not available
        Peach's Picks recommends this book for use with grades 4-6

        Awards/Recognitions: None to date

        Note: This book applies to the assignment criteria - books published in 2010-2011

        Simile: Page 10; “As the petals drifted own, it was like pink snowfall.”

        Symbolism: Opening page – Scidmore’s picture showing cherry blooms behind her head imposed in front of an American flag. Included in the blue of the flag are pictures of Mt. Fuji and the Washington Monument. The red circle of the Japanese flag is partially shown on the left side of page. These pictures and symbols combine to symbolize Scidmore’s affections for America, Japan, and Washington, D.C.

        Symbolism: Pages 6-7; Illustrations include a husky dog and a grizzly bear, symbolizing Eliza’s travel to Alaska